Bibliography >> Sorted by Author >> G

Galloni d'Istria, Isabelle and Collectif Mouv'.
Seacutequence d'une vie = Sequence of a life. Carniegraveres-Morlanwelz: Editions Lansman, 1997.

Ganz, Nicholas and Tristan Manco.
Graffiti World: Street Art From Five Continents. New York: Abrams, 2004.

Garner, Thurmon.
"Playing the Dozens: Folklore as Strategies for Living ." Quarterly Journal of Speech 68 (1983): 41.

Gary, F. Gary and Ice Cube & DJ Pooh.
Friday . New Line Productions, INC, 1995.

Gates Jr, Henry Louis.
The Signifying Monkey: A Theory of African-American Literary Criticism. Oxford: Oxford University Press, 1988.

Gates, Jr., Henry Louis .
"2 Live Crew, Decoded: Rap Music Group's Use of Street Language in Context of Afro-American Cultural Heritage Analyzed." New York Times (1990).

Gaunt, Kyra D.
The Games Black Girls Play: Learning the Ropes From Double-Dutch to Hip-Hop. New York: New York University Press, 2006.

Gause, Charles Phillip.
How African American Educators "Make Sense" of Hip Hop Culture and its Influence on Public Schools: A Case Study. Miami: Miami University, 2001.

Gautieri, Bob and Steve Purcell.
Wreckx-N-Effect. Universal City, California: MCA Records, 1993.

Gaye, Marvin.
Let's Get It On. Motown Records, 1973.

Gaye, Marvin.
What's Going On. Motown Records, 1971.

Gebroe, Dave.
The Homeboy. Delta Entertainment, 2002.

Gee, Alex and Teter, John.
Jesus and the Hip-Hop Prophets: Spiritual Insights from Lauryn Hill and Tupac Shakur. Downers Grove, IL: Intervarsity Press, 2003.

Geertz, Clifford.
Local Knowledge: Further Essays in Interpretive Anthropology. New York: Basic Books, 2000.

Geertz, Clifford.
The Interpretation of Cultures. New York: Basic Books, 2000.

George, Nelson.
Buppies, B-Boys, Baps, and Bohos: Notes on Post-Soul Black Culture. New York: Da Capo Press, 2001.

George, Nelson and Banes, Sally, Flinker, Susan Romanowski, Patty .
Fresh: Hip Hop Don't Stop. New York: Random House Trade Paperbacks, 1985.

George, Nelson.
Hip Hop America. New York: Penguin Group, 1998.

George, Nelson.
Post-Soul Nation: The Explosive, Contradictory, Triumphant, and Tragic 1980s as Experienced by African Americans (Previously Known as Blacks and Before That Negroes). Viking Adult, 2004.

George, Nelson.
Stop the Violence: Overcoming Self-Destruction-Rap Speaks Out. New York: Pantheon Books, 1990.

George, Nelson.
The Death of Rhythm and Blues. New York: Penguin, 2003.

Gibson, Thomas and Snoop Dogg.
Letter to the President. Image Entertainment, 2004.

Gibson, Thomas .
Letter to the President: The Streets Get Political. Chatsworth: QD3 Entertainment, INC, 2004.

Gilmore, Ruth.
"Public Enemies and Private Intellectuals." Race and Class 35 (1993): 69.

Gilroy, Paul.
"After the Love Has Gone: Bio-Politics and Etho-Poetics in the Black Public Sphere." Public Culture: Study for Transnational Cultural Studies 7 (1994): 49.